The Happy Hour modern calligraphy workshops here in Singapore just had a makeover with a revamped calligraphy kit. Rebranding has been in my mind the past few months and it’s still ongoing as I try to update the tools here and there.
Last September, I launched a new modern calligraphy kit for the workshop which includes an all-new theme and additional tools and inks while retaining the ‘Make Your Own Happy Hour‘ workbook which is exclusive to the class.
A fun (yet useful) addition are the clay pen rests that I made specially for the class! During classes, the pen holders either roll off or drip ink on the table (or both) and these teeny pen rests keep those holders in place.
On top of that, I have significantly reduced the class size, making it even more beneficial to participants. Food and drinks will always be a mainstay in all Happy Hands Project workshops as I always say that writing with an empty stomach is definitely a no-no.
Have you always wanted to learn the art of modern calligraphy? You can subscribe to the workshop newsletter to get first dibs, follow Happy Hands Project on Instagram, or check out the workshops page to sign up for the next one.
Hello brush lettering beginners! How do you make your brush lettering pieces unique? You have mastered the technique of using the brush pen and you’re even able to write beautiful lettering with it. The next step now is to make your brush lettering unique and different from your usual pieces.
I started out just writing in straight lines. I would centralize the words then that’s it. That’s what beginners normally do. But how do you make your brush lettering unique? Here are 3 ways that I use to give my pieces a bit more oomph:
FORM A CURVE
Sketch some curves lightly on your paper so you can plan where to place your words. Keep the hierarchy in mind—the most important word should be biggest to create more impact. Write your words in a slight curve to make it more interesting. Make the curve a bit wide for easier readability. Steeper curves might be more difficult to write on and read.
Draw your guidelines either freehand or with a ruler. You can position all your words in the middle or stagger them slightly. The most important thing is to pack your words close enough so you don’t create big gaps that would be noticeable. Fill those negative spaces!
BOUNCE YOUR LETTERS
If you haven’t tried this before, it may seem tricky because you would need to create a balance even when the letters do not touch the baseline. Draw your straight lines first. These will serve as a guide so you will still have letters that touch the baseline. The first letter of the word should touch the line first, then try raising and lowering the next few letters. Stop every so often to check the balance. If your letters seem to be going up, lower the next letter.
Bouncing letters requires some getting used to, but it’s a fun way to make your usual brush lettering style into something different.
There are endless styles that can make your brush lettering even more unique, so I’ll make sure to compile a new set next time. Now it’s time to practice! Looking for brush pen recommendations? You can hop here to see my favourite pens.
Have you thought about taking online classes to learn lettering, calligraphy or any other creative skill? I’ve rounded up 4 of my favourite online creative classes that I’m sure will kickstart your journey on lettering or calligraphy!
I’m excited to let you guys know that Happy Hands Project has partnered with Skillshare to bring you 2 MONTHS OF FREE PREMIUM MEMBERSHIP! With a premium membership, you can stream more than 18,000 online classes on subjects like design, business, and tech. What I like most about Skillshare is that students are learning alongside more than 3 MILLION members who are as passionate as we are. Members can share their work, give each other feedback and share insights and learnings through group discussions. And I’m telling ya, it could be a pretty great experience.
Use the gift code HAPPYHANDS2 when you register to get 2 months of free premium membership.
I have taken some classes on Skillshare when I was starting out with modern calligraphy. Each class has a project to be completed at the end of the course which makes it exciting. You’d want to learn as much to be able to get that project done the right way.
After learning the basics of modern calligraphy, it’s time to make something digital out of them! Digitized calligraphy can be used in print and online in the form of logotypes, advertising, title treatments, printed stationery, and beyond. In this course Molly will walk you through four steps—sketching, flourishing, inking and finally, digitising.
The distinct Mary Kate style will be taught by her in this beginners’ class. In this 2-hour class, Mary Kate reveals the first steps of hand lettering and shares how to concept, design, and letter phrases for any use—a poster, magazine, t-shirt, or anything else you might imagine. There are very useful downloadable resources, too, which will help you in conceptualizing your very first lettering piece.
I’ve been following Martina’s lettering work for a few years now. This class is all about different lettering techniques and styles and is perfect for beginners or advanced students of lettering that want to expand their stylistic palette when drawing letters.
If you’re interested in any or all of these classes, it’s definitely worth it to check out Skillshare. Skillshare’s giving away a free trial to my lovely readers. Just sign up using my link, or use the code HAPPYHANDS2 and you’ll get 2 months of unlimited online classes for free. No commitments and you could cancel anytime.
A few weeks ago I made the ultimate calligraphy checklist available for download. Now it’s time to practice, so whip out your beginners’ tools because it’s time to start writing! Here’s another calligra-freebie—guidelines you can download for free and print so you can practice on your letter forms.
True story: I was teaching a workshop where the participant did not care about the guidelines on her practice sheets. I told her that for starters, making the base of the letters touch the baseline would make her writing legible and the sizes consistent. She replied nonchalantly, “I’m trying to bounce my lettering”. I insisted that she MUST follow the guidelines provided (nicely, of course). Let’s start by following the basic rules, people.
These free guidelines come in 2 sizes—A4 and letter. The x’s on the sides mark the x-height of the letter (which is the size of the lower case x) and the slants are based on Copperplate‘s 55° angle. It’s a challenge to keep your slants consistent, hence the slant guides. The best way to use these guidelines is to print them on your practice paper, or print one sheet and place tracing paper over it. Use paper clips to secure the sheets in place.
Is learning calligraphy one of your goals for 2018? No time to waste then, my friends. Download these guide sheets for free.
Send me the calligraphy guidelines, please!
Oh, and if you’re looking for a modern calligraphy exemplar, you can download one here.
It’s that time of the year again. January is a very important month for Happy Hands Project and myself because I will be celebrating three things—my birthday, the HHP blog anniversary, and my wedding anniversary!
This modern calligraphy starter kit was launched last December 2017 and has been available for sale in my Etsy shop. It took me months to finish designing everything—from the instructional booklet to the note cards to practice on. This kit has everything you need to get started in modern calligraphy. This is an absolute labour of love and I cannot wait to share a kit to ONE LUCKY WINNER.
Curious about what’s in the box? Each modern calligraphy starter kit includes the following awesome tools:
1 beginners’ booklet with premium practice paper and stroke-by-stroke instructions and a full alphabet examplar
instructional tips & techniques
1 A5 guidelines card
1 A5 drills card
1 wooden straight pen holder
1 Palomino Blackwing pencil (my favourite!)
2 pointed flexible nibs
1 pot of black ink
8 sheets of A5 tracing paper
1 screen printed tote from the in-person workshops
an assortment of decorative cards
blank kraft gift tags
personalized name tag
Good luck everyone! Let’s keep on spreading the love for calligraphy and all things handmade!
RULES: Absolutely no purchase necessary. This giveaway is open internationally. The giveaway starts on 23 January at 12am, and ends on 31 January at 12 am (Singapore time, UTC+8). One winner will be generated randomly through Rafflecopter. Should a winner fail to reply to the notification email within 48 hours, the prize will be forfeited and a new winner will be generated. Happy Hands Project will be paying for the shipping costs, but will not be responsible for any customs fees in the recipient’s country.
The first rule in learning pointed pen calligraphy is this: PRACTICE WITH THE RIGHT TOOLS. This blog post has a free download of the ultimate calligraphy supplies checklist, and I have listed the tools I used myself when I was starting out. Nobody taught me at first—I was at my wit’s end—and so I’m passing to you what I’ve learned so you wouldn’t be pulling your hair in frustration just like I did so many years ago.
Practicing with the right tools saved my (calligraphy) life.
See, 6 years ago, modern calligraphy wasn’t so popular yet. There were no workshops to go to, even online classes were zilch. I had no choice but to read blogs and scour Pinterest for any little tip I might find. I ordered some of the basic tools on top of the kit my husband got for me. It was from Paper and Ink Arts (circa 2012, before they updated their website!) and I had to wait more than 2 weeks to receive the items.
When I learned about the right tools for beginners, I was able to practice and make progress. I realised that having the right tools is the key to getting started. The paper, nib, ink and holder you choose need to work well together so you can concentrate on your letter forms.
Calligraphy beginners, let’s get started, shall we? I have prepared the ultimate checklist for calligraphy supplies, and it’ll be delivered straight to your inbox! Don’t forget to check your Bulk or Marketing folders just in case that’s where it ends up (ouch!). Here ya go!
I am beyond excited to announce that after months in the making, the Make Your Own Happy Hour Modern Calligraphy Starter Kit is finally ready!
I know there are a lot of you who are not in Singapore and have always wanted to come to the in-person workshops. Here’s the next best thing! The starter kit is similar to the kits given out during the Happy Hour workshops, though the booklets were downsized from A4 to A5 for more affordable shipping costs. You will receive the tools to get you started—2 flexible nibs, a pot of black ink, a wooden straight holder, my favourite Blackwing pencil, a writing booklet, instruction guide, and practice tips. The kit also includes a screen printed tote and an assortment of cards and kraft tags for you to show off your calligraphy skills.
I’ve spent months planning what goes into this box, and re-designing the booklets and instruction guides. I hope this will help kickstart your journey in pointed calligraphy. It also makes an awesome gift for that guy or gal who has always wanted to try their hand at modern calligraphy but did not know where to start.
Each kit is hand-assembled and peppered with a lot of love (from me, of course!) so I hope you’ll love this as much as I do.
Khadi handmade paper is made of cotton rags and handmade in South India. I’ve purchased a few packs of the handmade paper I’ve been seeing all over Instagram for years—and it did not disappoint. The sheets have natural deckled edges and beautiful texture.
I wanted to use the Khadi Papers with what I’m most familiar with, and that would be watercolours, gouache and Finetec metallic inks. The paper may look oh-so-prefect, but don’t be deceived. For those who will be writing on Khadi paper for the first time, be prepared to encounter some minor hiccups.
Due to its handmade nature, the paper is wonderfully textured. This means pointed nibs like the Gillotts or Hunts will snag on the upstrokes. Fibres will accummulate during the downstrokes, so there is a need to frequently wash or wipe your nib before the upstroke. I’ve found that the Blanzy-Poure 2552 nib works well with gouache or Finetec.
Write slowly, slower than you normally would. Tread lightly—do not write with a heavy hand, and you will be BFFs with your Khadi paper in no time.
100% cotton papers tend to absorb more water compared to cellulose ones (non-archival, student-grade paper). So painting leaves and florals using Khadi means you need more water on your brush. It works very well for wet-on-wet techniques as well, which will give you beautifully-blended washes.
In conclusion, writing on Khadi handmade paper needs a bit of trial-and-error, but when you get the hang of it, you wouldn’t want to stop. There are so many types of paint that you can try, and I’m sure there are a lot of pointed nibs that work as well.
Here’s what happened during the latest Modern Calligraphy workshop for beginners here in Singapore.
Last September, The Happy Hour: Beginners’ Modern Calligraphy workshop is back! I love teaching this class because almost 99% of the time, the participants have not tried their hand at pointed pen calligraphy. Why do I love this, you may ask? Because they leave the class truly inspired by what they learned, and are able to write the alphabet using the beginners’ tools.
The special ‘Make Your Own Happy Hour‘ booklet is a wonderful workbook to get started, printed in premium, super smooth paper. It has stroke-by-stroke instructions on how to write the letters of the alphabet. This is the pad that we use in class and will be used for further practice when at home.
I always tell the story of how I started out in class. When I started modern calligraphy in 2012, there were no classes here in Singapore at all. The struggle was real, my friends. When I finally got the hang of it (after 2 years!), my friends convinced me to try to teach this craft. Needless to say, I felt very unsure. I finally took a shaky step and taught my first class—and I’m still having a wonderful time teaching modern calligraphy after almost 4 years!
It’s the first modern calligraphy class hosted by the awesome people at Fika Swedish Cafe, who prepared this delectable canapé spread for all of us. We had the cozy second level all to ourselves, and on a sunny day, the natural light is just perfect for writing with pen and ink.
My advice to beginners is still the same. Practice makes pretty! Here are some photos of our most recent modern calligraphy class. Upcoming classes are posted here. Enjoy!
It’s been a while since I’ve posted a nib review here on the Happy Hands blog. During the recent Modern Calligraphy workshop, I got asked several times how different the Leonardt 40 nib was from Nikko G. These 2 nibs are usually the ones included in my workshop kits. However, I always advise to use this blue nib only when they’re already used to the G nib. So how different are these 2 nibs, really?
MORE FLEXIBLE THAN THE NIKKO G NIB
The Leonardt 40 is also called Hiro 40, or Blue Pumpkin. Similar to the Brause Steno Blue Pumpkin in appearance, this is a large nib with an equally large ink reservoir. It’s very flexible, so the pressure needed to get a thick swell in a Nikko G is not necessary with the Leonardt 40. Because it’s softer, just a bit of pressure makes the tines open up—allowing the ink to flow and form thick swells.
The Nikko G is stiff and somewhat tough, but the Leonardt is soft and more flexible.
Because it’s more flexible, putting a lot of pressure results in a very thick downstroke. This thickness cannot be achieved using a Nikko G nib. The only downside is that the upstrokes are not very thin, which is essential to Copperplate calligraphy.
THE BLUE PUMPKIN GIVES THICKER SWELLS
For those who love to write modern calligraphy and aim for super thick swells, then this is the nib for you.
For beginners, it’s always best to start with the stiff Nikko G nib (or Tachikawa G, which comes from the same manufacturer). Once you’ve mastered the concept of the pointed pen (pressure on the downstrokes, release on the upstrokes), then you can proceed with using the Leonardt 40.
I’ve also noticed that my ink lasts longer with the Nikko G. I get to write more letters with one dip of ink with the Nikko than the Leonardt. Again, this is due to the flexibility of the latter. Because it produces thick swells, the Leonardt 40 needs more ink. So I dip this nib more often in ink when I’m writing.
I’d say this nib is worth a try if you haven’t done so yet. Nibs behave very differently with every calligrapher, so a nib that works well for one may not do wonders for another. But the paper and ink used also play a part, so make sure all your tools work well together. All in all, this nib is still one of my favourites. Check out my other favourite nibs in this roundup.
So have you tried using the Leonardt Blue Pumpkin? Yay or nay?