My first couple of years writing calligraphy, I was always on the look out for the richest, most opaque white ink out there. I discovered PH Martins Pen White, which was fortunately available here in Singapore. It was great, but I had to mix it with water every time I had to use it.
When I had to make custom coloured inks for a project, I decided to be adventurous enough and mix it myself using gouache and water. For those who haven’t tried it yet, gouache is a actually a water-based paint similar to watercolours. But unlike watercolours, it’s opaque and will give you richer, fuller shades. That’s when I started using white gouache instead of the pre-mixed Pen White, and since then a pot of white gouache has been a mainstay on my desk.
Here’s a video of me writing in real time — I’m a slooooow writer, but hey, that’s the beauty of calligraphy! It’s pretty close to channeling your inner zen.
I’m planning to upload more demo videos in my Vimeo chnnel, so stay tuned for that! Enjoy!
Are you guys feelin’ the love? Valentine’s Day is right around the corner, so I thought it’s not too late to post a printable just in case you’d like to give your special someone a card that’s as special as them! I’ve always liked this line from this classic ‘More Today Than Yesterday’ because for people in love, it’s always true, right?
You can print the PDF file on a 250 or 300gsm card and just cut along the border. Fold where it is indicated, or cut the card in half and you got yourself an A6 sized print that’s perfect in a C6 envelope.
Spread the love, and have a wonderful Valentine’s Day!
It’s 2016 (woohoo!) and I’d like my first post of the year to be special. So here’s one special destination wedding I had the pleasure to work on last year – Tom and Simone’s big day in Phuket, Thailand.
It was a travel-themed wedding, so each table number featured the couple’s photos from different places. And not just that — either of them were holding a small chalkboard with a number on it! I thought it was a very cute idea.
I also did the calligraphy and lettering for the signs and stationery used at the venue. There were the menus for dinner, cocktails and cupcakes, photo booth sign, and wedding programme to name a few. My favourite has got to be the escort cards which weren’t cards at all, but little paper airplanes hanging in strings! The colour motif was grey and dusty blue, which were perfect for a classy beach wedding. I’m very happy for this sweet couple, and I’m pretty sure you’ll like the photos as much as I did. Scroll down to see more.
My first impression of this ink was, how come it’s so watery? I’ve always used sumi ink, which is a thicker, darker kind of black than this one. Sumi has the perfect viscosity in my opinion. So the first time I dipped my Nikko G into McCaffery’s, I was surprised that not much ink stayed in the reservoir.
I didn’t give up, of course. It wrote quite smoothly, but I found myself in another situation. The ink wasn’t black enough! How can this be penman’s black if it’s a weak grey? I waited for the ink to dry, and realised that the ink actually gets darker as it dries. Problem solved! It still has slight gradients just like walnut ink, specially on the downstrokes, but I liked the effect nonetheless.
Another good thing about this ink is that it’s super smooth to write with. It behaves like Higgins Eternal, but with a ‘silky’ flow. It gives super fine hairlines that you won’t get with sumi ink. Though I wouldn’t recommend this for artwork that you will scan eventually (your scanner might not be able to catch the hairlines), it’s a lovely ink to write with. It gives your calligraphy some character, and it dries beautifully.
The only downside is that you need to wash your nibs with water right after use — which was a bit difficult for me because I leave my nibs to dry for hours. McCaffery’s ink would eat your nibs, so make sure you wash it after use.
The verdict? Smooth, silky, deep grey ink, that gives my calligraphy some character. I would definitely recommend this ink.
There are so many reasons why many would opt for modern calligraphy over the traditional styles. First reason would most probably be because there are ‘no rules’ in the modern style. Another reason would be its popularity all over the web and social media platforms. Modern calligraphy is everywhere nowadays, and a lot of people are doing it as a hobby. Third reason, and this is the reason I believe the most, is because the modern style can reflect the writer’s personality. It would display one’s individuality, and you can have a style you can call your very own.
Before I go on, I’d like to dispel the myth that modern calligraphy simply has no rules. It’s a myth. It’s false. Modern pointed pen calligraphy is based on traditional Copperplate, so we will still follow the basic rules that come with it — consistent slant, legibility, and uniform thicks and thins. I would prefer to write something that is actually readable.
Now, for the fun part. With so many calligraphers and enthusiasts out there, how can you make your work stand out? It took me 2 years to come up with my own style — and I’m still learning, everyday. For beginners who want to display your individuality, I’ve come up with a few pointers.
1. Learn your basic letter forms.
Once you have memorized how each letter would look like, your calligraphy will look more consistent. Try to write the same letter in that style every time. Once you’ve mastered it, make slight variations to make it a little more exciting. Which leads me to my next point.
2. Write your own exemplar.
To help you memorize your basic letter forms, why don’t you write the full alphabet in the same style? You can always refer to it whenever you’re writing. You can write your variations there, too.
3. Study calligraphy fonts.
Modern calligraphy fonts are different from each other, and observe why this is so. Some have thick downstrokes, some are very upright, while some are playful and carefree. While doing this, you can also gauge what style reflects your personality more.
4. Keep on practicing.
Even the expert calligraphers out there still practice and do their drills. Believe me, it helps! It builds muscle memory, so you’ll be able to do your letter forms right. Practicing also keeps your mojo going, and very relaxing, too. I can write drills for hours. Just remember to have your own exemplar around while practicing so you can be consistent with your slant and style.
Finally having a style you can call your own will take months, or even years of practice. I must admit I tend to jump from every style I can think of when I was starting out. It’s not bad, and it actually helped me come up with the style that I would actually stick to eventually. Good luck in finding your own pointed pen style! Remember — Practice Makes Pretty!
I’ve encountered this question a lot of times, and for beginners, it can be quite tricky. Some have asked me how long a pointed flex nib typically lasts. However, this question can’t be answered precisely — it would depend on how often a nib is used, or how much writing one has done with it.
There are some nibs in my stash that I only use from time to time, so therefore they have a longer life span. I have favourite ones, and I replace them more often. The key indication of a nib that needs to be chucked is when it starts ‘misbehaving’ (yup, sometimes I treat them like they’re my kids). Here I broke it down to 5 signs:
1. The nib is snagging the paper
This works specially when you’re used to how a certain nib behaves. Most often than not, I use a Nikko G, and I know that it glides onto my paper and doesn’t give me a hard time. When all of a sudden the tip starts scratching the surface of the paper during upstrokes, I know it needs to be replaced.
2. The upstrokes start skipping
Oh, that occasional ink splatter still catches me by surprise. Sometimes, I might be using a different kind of paper. But a splatter of ink on an upstroke? On my Rhodia?? That is totally unheard of. I would probably write a few more lines and see if the ink continues to skip and/or splatter. If it continues, the best thing to do is start again using a freshly prepared nib. Trust me, it works.
3. The ink flow is somehow different
If the ink just stays on the reservoir (that tiny hole in your nib that holds the nik) and wouldn’t flow, it can mean a few things. The ink may be too thick (or old, even), your nib needs washing, or it needs to be thrown into the bin. Combine this indication with any of the 2 above, and it means a new nib is the way to go.
4. The pointed tip is deformed
I had a Brause EF66 once, and it used to be my favourite nib. I used it all the time. Sadly, it was the last piece I had and obviously, I was holding on to it for as long is humanly possible. It did all those things above but I turned a blind eye. When I couldn’t take it anymore and my writing was a mess anyway, I took a closer look at the tip and realized that the tines were misaligned. The tines are the two parts of the nib that separates on the downstroke. Sometimes, it can still be repaired. I’d say retire the nib and use a new one.
5. The nib has rusted
Well, I have to say I’ve used some nibs that have slightly rusted and they still worked well. Given Singapore’s humidity, nibs always have this risk of rusting. I’d recommend placing packs of silica gel in your nib boxes. Slight rusting on the nib that is far from the tip is fine, but if the tips are corroding, it needs to be retired.
There you go! I hope these tips have given insight to this issue of nib replacement. If you have any other tips just let me know in the comments and I’ll update this post to add it!
Most of you might not know this, but I’m a self-taught calligrapher. I was able to take a course with Eleanor Winters(all hail), but that was after I struggled for a couple of years to teach myself. I must admit that I had experience in Italic and Blackletter when I studied Art in college, but those two styles really did not strike my fancy. Fast forward to 2010, this was the time when I became very much influenced by the beautiful scripts I saw on wedding stationery.
I told myself — you can do this! Remember your Typography class? Piece of cake!
Um, no. The flexible pen used to write scripts is difficult to control, ink was splattering everywhere, a bazillion sheets of paper was wasted. So I did my research and taught myself. During that time, there was no abundance of workshops like what we have now, so I guess ‘struggled’ is an understatement. I went straight to writing letters and sentences, flourishing here and there as I went along. I told myself, you can do this! Write longer words and everything will all fall into place!
Again, no. I realised after a bit more reading and practicing that I need to start at the very beginning. I need to start with the basics, and basics meant drills. Those boring, repetitive loops and strokes that I tried to avoid for as long as I possibly could. There was no escaping it. So I got myself the best book in my possession (after my Harry Potter collection, I suppose) — Eleanor Winters’ Mastering Copperplate Calligraphy. I drew my grids, prepared my workspace, took a deep breath and started writing. And you know what? A few years later, I’m still practicing with drills and have become really fascinated with the rhythm and consistency of the letters I make. These exercises made me write better.
My simple advice? Practice with drills before you actually start writing. Throw in some fun coloured inks to make it more enjoyable (I usually practice with walnut ink). Think of it as a warm up, and would give you the momentum when you finally start writing your project for the day. I’m always looking forward to finishing calligraphy commission works because that means I’d have more time to practice. Have fun writing!
I don’t own a lot of custom-made wooden pens for calligraphy. I’ve gotten by with my century oblique holder for a loooong time. Well, I’ve been looking around for custom-made pens and I must admit they’re all extremely beautiful. I’ve ordered a few wooden pens for the last few months (I feel sorry for my credit card, but hey, I call it Investment), and I’m looking at ordering one or two more in the next few months.
First off, this is not a sponsored post — I just fell in love with this pen! The latest one I’ve acquired (or more like invested on) is this beautifully-handcrafted wooden oblique from the Philippines. It’s called the Manansala, named after cubist painter and illustrator Vicente Silva Manansala (1910-1981).
This belongs to a family of pens which are the first oblique holders ever made in the Philippines, thanks to Lennie of The Curious Artisan. She describes the pen as ‘made from Kamagong (Ironwood) with Mother of Pearl shell body; Magnusson-inspired silver nickel flange; comfort curve pen foot and is approximately 8.5 inches long. The cube pattern shell inlay of the holder’s body using Mother of Pearl shell is inspired by Manansala’s signature cubism’.
It’s my first time to try a Mag-inspired flange and I love it. It’s perfect for Copperplate, and I’ve been using it to practice lately. I think this has magic powers as well because somehow my writing looks prettier when I use it. Not kidding. Oh, and I haven’t even started on the packaging yet. Look at that typewritten note!
If you’re in Singapore — news flash — this pen and the rest of its siblings will be coming here! I’ll be updating on Facebook, and you can also contact @thecuriousartisan on Instagram for overseas orders.
Hey you guys! I’m still on a high from weeks ago where I had the first ever Calligraphy In Colour Advanced Workshop. I kept thinking about how immensely talented each of the participants were, and when I saw them writing all I could say was, ‘Wow, you have been all practicing, weren’t you?’
And they were! Some were present in my beginners’ class from months ago, and they have been practicing diligently and have improved their calligraphy by doing so. I’ve probably said this before, but it took me 2 years to find my own style. Calligraphy is not easy, but it’s a continuous learning experience for me. I never stop learning, and I never stop practicing. That’s what’s great about this craft. There’s always room to grow.
In calligraphy, practice is something that you cannot be without — that’s why I came up with this calligraphy quote. Making time for the things you love is important, because simply put, it makes you happy. If you like to read, set aside even a few minutes to have time for yourself. With calligraphy, it’s not easy to be able to practice daily specially with everything that’s going on around us. Why not set aside an hour every Saturday? It’s not much, but it’s better than nothing!
Oh, I currently have a bunch of downloadable calligraphy over at the shop, the ones above included… go get ’em! It’s been a while since I’ve put new items for sale and this is the start of a new batch of downloadable calligraphy. I hope one of these will adorn your walls someday.
It’s such a pleasure to be showing you the logo for Mita Kelder, a photographer here in Singapore. I really enjoyed working alongside this lady! Mita wanted a logo, and a logo mark as well that will serve as her photos’ watermark. She also wanted a hand-drawn camera to go with her name.
I’ve been doing a number of photographers’ logos lately, but each one is different. I enjoyed drawing different styles of the camera for her, and after a few mixing and matching, I was able to finalise the logo and watermark symbol. I’m very much delighted to share these photos with you today!