The Happy Hour modern calligraphy workshops here in Singapore just had a makeover with a revamped calligraphy kit. Rebranding has been in my mind the past few months and it’s still ongoing as I try to update the tools here and there.
Last September, I launched a new modern calligraphy kit for the workshop which includes an all-new theme and additional tools and inks while retaining the ‘Make Your Own Happy Hour‘ workbook which is exclusive to the class.
A fun (yet useful) addition are the clay pen rests that I made specially for the class! During classes, the pen holders either roll off or drip ink on the table (or both) and these teeny pen rests keep those holders in place.
On top of that, I have significantly reduced the class size, making it even more beneficial to participants. Food and drinks will always be a mainstay in all Happy Hands Project workshops as I always say that writing with an empty stomach is definitely a no-no.
Have you always wanted to learn the art of modern calligraphy? You can subscribe to the workshop newsletter to get first dibs, follow Happy Hands Project on Instagram, or check out the workshops page to sign up for the next one.
Hello brush lettering beginners! How do you make your brush lettering pieces unique? You have mastered the technique of using the brush pen and you’re even able to write beautiful lettering with it. The next step now is to make your brush lettering unique and different from your usual pieces.
I started out just writing in straight lines. I would centralize the words then that’s it. That’s what beginners normally do. But how do you make your brush lettering unique? Here are 3 ways that I use to give my pieces a bit more oomph:
FORM A CURVE
Sketch some curves lightly on your paper so you can plan where to place your words. Keep the hierarchy in mind—the most important word should be biggest to create more impact. Write your words in a slight curve to make it more interesting. Make the curve a bit wide for easier readability. Steeper curves might be more difficult to write on and read.
Draw your guidelines either freehand or with a ruler. You can position all your words in the middle or stagger them slightly. The most important thing is to pack your words close enough so you don’t create big gaps that would be noticeable. Fill those negative spaces!
BOUNCE YOUR LETTERS
If you haven’t tried this before, it may seem tricky because you would need to create a balance even when the letters do not touch the baseline. Draw your straight lines first. These will serve as a guide so you will still have letters that touch the baseline. The first letter of the word should touch the line first, then try raising and lowering the next few letters. Stop every so often to check the balance. If your letters seem to be going up, lower the next letter.
Bouncing letters requires some getting used to, but it’s a fun way to make your usual brush lettering style into something different.
There are endless styles that can make your brush lettering even more unique, so I’ll make sure to compile a new set next time. Now it’s time to practice! Looking for brush pen recommendations? You can hop here to see my favourite pens.
I am beyond excited to announce that after months in the making, the Make Your Own Happy Hour Modern Calligraphy Starter Kit is finally ready!
I know there are a lot of you who are not in Singapore and have always wanted to come to the in-person workshops. Here’s the next best thing! The starter kit is similar to the kits given out during the Happy Hour workshops, though the booklets were downsized from A4 to A5 for more affordable shipping costs. You will receive the tools to get you started—2 flexible nibs, a pot of black ink, a wooden straight holder, my favourite Blackwing pencil, a writing booklet, instruction guide, and practice tips. The kit also includes a screen printed tote and an assortment of cards and kraft tags for you to show off your calligraphy skills.
I’ve spent months planning what goes into this box, and re-designing the booklets and instruction guides. I hope this will help kickstart your journey in pointed calligraphy. It also makes an awesome gift for that guy or gal who has always wanted to try their hand at modern calligraphy but did not know where to start.
Each kit is hand-assembled and peppered with a lot of love (from me, of course!) so I hope you’ll love this as much as I do.
Khadi handmade paper is made of cotton rags and handmade in South India. I’ve purchased a few packs of the handmade paper I’ve been seeing all over Instagram for years—and it did not disappoint. The sheets have natural deckled edges and beautiful texture.
I wanted to use the Khadi Papers with what I’m most familiar with, and that would be watercolours, gouache and Finetec metallic inks. The paper may look oh-so-prefect, but don’t be deceived. For those who will be writing on Khadi paper for the first time, be prepared to encounter some minor hiccups.
Due to its handmade nature, the paper is wonderfully textured. This means pointed nibs like the Gillotts or Hunts will snag on the upstrokes. Fibres will accummulate during the downstrokes, so there is a need to frequently wash or wipe your nib before the upstroke. I’ve found that the Blanzy-Poure 2552 nib works well with gouache or Finetec.
Write slowly, slower than you normally would. Tread lightly—do not write with a heavy hand, and you will be BFFs with your Khadi paper in no time.
100% cotton papers tend to absorb more water compared to cellulose ones (non-archival, student-grade paper). So painting leaves and florals using Khadi means you need more water on your brush. It works very well for wet-on-wet techniques as well, which will give you beautifully-blended washes.
In conclusion, writing on Khadi handmade paper needs a bit of trial-and-error, but when you get the hang of it, you wouldn’t want to stop. There are so many types of paint that you can try, and I’m sure there are a lot of pointed nibs that work as well.
It’s been a while since I’ve posted a nib review here on the Happy Hands blog. During the recent Modern Calligraphy workshop, I got asked several times how different the Leonardt 40 nib was from Nikko G. These 2 nibs are usually the ones included in my workshop kits. However, I always advise to use this blue nib only when they’re already used to the G nib. So how different are these 2 nibs, really?
MORE FLEXIBLE THAN THE NIKKO G NIB
The Leonardt 40 is also called Hiro 40, or Blue Pumpkin. Similar to the Brause Steno Blue Pumpkin in appearance, this is a large nib with an equally large ink reservoir. It’s very flexible, so the pressure needed to get a thick swell in a Nikko G is not necessary with the Leonardt 40. Because it’s softer, just a bit of pressure makes the tines open up—allowing the ink to flow and form thick swells.
The Nikko G is stiff and somewhat tough, but the Leonardt is soft and more flexible.
Because it’s more flexible, putting a lot of pressure results in a very thick downstroke. This thickness cannot be achieved using a Nikko G nib. The only downside is that the upstrokes are not very thin, which is essential to Copperplate calligraphy.
THE BLUE PUMPKIN GIVES THICKER SWELLS
For those who love to write modern calligraphy and aim for super thick swells, then this is the nib for you.
For beginners, it’s always best to start with the stiff Nikko G nib (or Tachikawa G, which comes from the same manufacturer). Once you’ve mastered the concept of the pointed pen (pressure on the downstrokes, release on the upstrokes), then you can proceed with using the Leonardt 40.
I’ve also noticed that my ink lasts longer with the Nikko G. I get to write more letters with one dip of ink with the Nikko than the Leonardt. Again, this is due to the flexibility of the latter. Because it produces thick swells, the Leonardt 40 needs more ink. So I dip this nib more often in ink when I’m writing.
I’d say this nib is worth a try if you haven’t done so yet. Nibs behave very differently with every calligrapher, so a nib that works well for one may not do wonders for another. But the paper and ink used also play a part, so make sure all your tools work well together. All in all, this nib is still one of my favourites. Check out my other favourite nibs in this roundup.
So have you tried using the Leonardt Blue Pumpkin? Yay or nay?
Are you a beginner who wants to get better in calligraphy? I’ve a question for you. Since you began your sojourn, have you become better and more confident with your pen? Or do you think there are too many mistakes and you’re ready to give it up?
I’m telling you—don’t give up just yet.
In 2011, modern calligraphy was starting to infiltrate my Pinterest feed, and I was curious. I was lucky enough to receive replies from popular calligraphers, telling me what tools they used. I excitedly ordered them from the US (this was a time when there were no calligraphy tools here in Singapore; Straits Art didn’t even have Higgins Eternal!). When I started using those so-called awesome nibs and inks, I realised I couldn’t get them to work.
But I didn’t give up. I learned from my mistakes. And here I’m sharing with you how I’ve learned from the mistakes I’ve made so that you, too, would get better at calligraphy.
1:: Keep your first few calligraphy attempts
You’d think the first time you tried to write a few strokes was terrible, right? I did, too. There were no workshops at the time in Singapore so I had no choice but to self-study. My experience with dip pens were in college, but we used broad edge. That’s a different beast right there, so when I used the pointed pen, I was floored.
But I kept the pad I used at the time. That jotter pad that didn’t know anything else but feather everything I write on it. I even tried to write what nibs I used (which of course, didn’t help). It’s good to keep your first attempts at writing calligraphy, so you can go back and see how far you’ve come. That in itself, is enough to give you the inspiration to keep going.
Eeep! If I stopped here, I wouldn’t know that I wasn’t a hopeless case.
2:: Write the dates on your practice sheets
The good thing about writing the date is that you will look at it a few months later, and realise you have improved. And for those who don’t practice often, it’s a good reminder that you should DO YOUR DRILLS!
3:: Mark your mistakes
I have learned that writing continuously is pointless if you don’t refer to an exemplar. This Engrossers’ Script exemplar from IAMPETH is perfect. Always have your alphabet guide in front of you so you can compare it against your own. Then review your practice strokes or words, and make little notes on your sheet. This will help you remember which parts have to be improved. It can be as simple as a loop that’s too big, or a descender with a line variation that wasn’t done smooth enough. Mark it, and make it better.
4:: Join A Calligraphy Community
This is also called, ‘find your tribe’. Or form your own cheering squad. Join a local guild if there’s one, or socialize with like-minded enthusiasts on social media and take it to the next level and meet in person! Having friends who like the same things you do are priceless human beings who will contribute to your growth as a calligrapher. Heck, they will also help you grow as a person. Friends who support each other in sickness and in health, through group purchases and art jams, are the best kind of friends if you ask me.
They will tell you when your letter form just ain’t right, the logo you made looked funny, or convince you that yes, the Blanzy nib works well on handmade paper.
If a local community is non-existent, connect with other calligraphers online instead. Flourish Forum is an amazing online community where everybody lends a helping hand.
So there you have it. Challenges in the world of calligraphy is never ending, that’s why learning is contiuous, too. If you’re just starting out, keep on practicing and don’t give up. Use the mistakes to your advantage and trust me, after a months of serious practice, you’ll laugh at how your first attempts looked like. I sure did. And it felt good.
So you’ve digitized your gorgeous calligraphy. It’s pretty. You can print as many pieces as you want to give to friends and family. But have you ever wondered what’s the next step to scanning your calligraphy and adjusting the contrast in Photoshop? Well, I got news for y’all, and it’s something I’ve only done recently. How about adding (digitally) some seamless patterns on your calligraphy?
This requires some basic knowledge in either Photoshop or Illustrator, but once you get the hang of it, this will make your calligraphy extra pretty. The digital version of the above calligraphy piece was all done in 10 minutes, tops, excluding the writing part which takes waaaaayyy longer.
This is really easy-peasy, take a look at the steps below. Please note that a working knowledge on Adobe Illustrator is required to be able to follow the tutorial. We will be using a pre-made vector pattern downloaded from the internet. I got mine from here. First thing you need to do is have your seamless pattern open in AI (this will be in either .eps or .ai format).
1 :: Copy and paste your vector pattern on a new file. I used an A4 sized art board. If the graphic’s too big, use the Free Transform tool from the left tool bar to scale to your desired size.
2 :: Make the vector graphic into a pattern. Click on the Object pull-down menu from the top, select Pattern, and click on Make.
3 :: Save your pattern. Click OK, and delete the existing graphics from your art board. This will give you a clean slate.
4 :: Create a full background using your newly-created pattern. Wee!
Now this background is ready for use! For the Elizabeth Gilbert quote I’ve written, I just placed a black rectangle over the background, pasted and live-traced the jpeg scan of my calligraphy, did a bit of clean up, and saved it as an A4-sized poster. There are so many possibilities with patterns and I cannot wait to try them out!
Hope you’ll have as much fun as I have! Here are some of my favourite premium patterns from Creative Market:
Full disclosure: I've recently become part of Creative Market's Partner Program, and I get commissions for purchases made through the links below.
Last January marked my first modern calligraphy workshop in Manila, Philippines. It was a lovely Saturday with absolutely no traffic jam. It was sunny, and bright light was streaming down the floor-to-ceiling windows of The Picasso‘s function room. I’ve set up without a hitch, with fairy lights nicely hanging on the glass wall.
I brought all tools and workpads from Singapore, so the class in Manila was basically the same Happy Hour Workshop that we have in here. Thanks to my kids who have airline baggage allowance for themselves (even infants get 10kg!), I did not have to pay extra for more than 20 sets of workshop kits! Yay!
We were packed to the brim that day. These amazing ladies got to work, practicing their letter forms, as I went around to see how each of them were doing. It’s so satisfying to see them struggle during the first strokes of the drills, then start improving as they start filling the pages with more letters.
Of course, a workshop is not complete without coffee and pastries, so we stopped mid-way to refuel and mingle. It was great to get to know each and everyone of them, find out what they do for a living and how they stumbled upon this workshop (someone said Google, which was awesome).
Thanks to everyone who came to the Beginners’ Class — hopefully I’ll be back later this year for an intermediate one, or even brush lettering! We’ll never know. Hugs to the ladies who had to travel quite far just to get the workshop. Lastly, high fives to the amazing team at The Picasso Boutique & Serviced Residences for giving in to my requests and setting up so nicely. I can’t wait to be back! Now here are more photos of the class. To those who weren’t able to come, hope to see you guys next time!
The past two years have all been about vintage and rustic weddings, with white, blush and champagne. It’s a very pretty, pleasing theme and I always enjoyed designing invitations in such a warm colour palette.
Last year, I was approached by Wedrock Weddings and Ideal Weddings Magazine for an Industrial-themed wedding styled shoot. It would be mostly grey, with hints of magenta, copper and forest green. So it’s cool, with hints of warm tones to balance everything. Without a thought, I said I was in!
The venue was at a restaurant in the East, with raw grey walls and marble countertops — perfect for an industrial wedding, indeed. For this editorial shoot, I provided lettering and calligraphy for an invitation suite and envelopes, framed signage, and menu.
Hope you lovely couples who are planning a wedding would find inspiration from these stunning photos from the shoot!
Woot woot! Time for a year-end giveaway! 2016 is coming to a close, and I have to say that this year is indeed a very special one. I have so much to be thankful for, despite the ups and downs that almost made me feel like I was riding a year-long roller coaster. So who wants to win for herself (or himself!) a custom-made wooden oblique holder set?
This year our little family had another addition. The Happy Hour Workshops continued to be extremely in-demand, and I have grown so much just by teaching the craft I loved most. I had my first online workshop (or more appropriately, speaking engagement) over at Modern Thrive. I continued having classes at my favourite studio, The Untitled Space, and said goodbye to it last November. I’ve had lots of amazing memories in that place, but now I am on the lookout for new workshop venues. That in itself, is another adventure. I adore the wedding invitation suites that I designed this year — thanks to brides who were never short of creative ideas!
So guys, to give thanks to everyone of you who stuck around Happy Hands Project and continued following this humble blog of mine, I’m giving away a set of the Happy Hands Project oblique holder set, crafted in collaboration with woodworker Mr Keiichi Sato in Japan.
Join in! The set consists of an oblique holder for right-handed writers, an ink jar holder with 2 ink bottles included, and a pen rest. I will ship the set to anywhere in the world via Singpost registered mail. One winner will be randomly chosen on 1 January 2017 and will be announced thereafter. The giveaway opens 14 December 2016, and closes on 31 December 2016.