I always love doing lettering for company logos, and this hand-lettered logo for Lamb Cupcakery here in Singapore is one of those. Lamb was moving to a new location at the time, and will be having a branding overhaul. It included the logo, storefront signage, in-store signages, and menu.
I designed a few versions, some with foliage and florals, some with flourishes and swirls. Finally, we settled on a pretty yet uncomplicated brush lettering style that’s as delicious-looking as the cupcakes they make. I mean, seriously, don’t these little babies look so scrumptious? My heavily pregnant self is craving for some right now.
Do swing by Lamb Cupcakery for that sugar fix:
8A Marina Boulevard
#B2-61 Marina Bay Link Mall
This font right here is a gem. It’s quite rare to find a well-made font that’s actually free (for personal use, that is. But still), so I really have to share this one. If you want to design a quote or greeting card that needs a hand-lettered feel, Master of Break might be the font you’re looking for.
Contrary to the usual hand-lettered fonts out there, this is not very feminine. But add some girly colours and you’ll get a feminine feel instantly. Use it against a textured black background and you can have a masculine-looking piece. StereoType is the font foundry offering this awesome font, along with other great ones, so it’s worth dropping by their website.
Oh, and you can print the Girl Power artwork above and be reminded to unleash some yourself everyday!
My first couple of years writing calligraphy, I was always on the look out for the richest, most opaque white ink out there. I discovered PH Martins Pen White, which was fortunately available here in Singapore. It was great, but I had to mix it with water every time I had to use it.
When I had to make custom coloured inks for a project, I decided to be adventurous enough and mix it myself using gouache and water. For those who haven’t tried it yet, gouache is a actually a water-based paint similar to watercolours. But unlike watercolours, it’s opaque and will give you richer, fuller shades. That’s when I started using white gouache instead of the pre-mixed Pen White, and since then a pot of white gouache has been a mainstay on my desk.
Here’s a video of me writing in real time — I’m a slooooow writer, but hey, that’s the beauty of calligraphy! It’s pretty close to channeling your inner zen.
I’m planning to upload more demo videos in my Vimeo chnnel, so stay tuned for that! Enjoy!
Are you guys feelin’ the love? Valentine’s Day is right around the corner, so I thought it’s not too late to post a printable just in case you’d like to give your special someone a card that’s as special as them! I’ve always liked this line from this classic ‘More Today Than Yesterday’ because for people in love, it’s always true, right?
You can print the PDF file on a 250 or 300gsm card and just cut along the border. Fold where it is indicated, or cut the card in half and you got yourself an A6 sized print that’s perfect in a C6 envelope.
Spread the love, and have a wonderful Valentine’s Day!
I have this wish list of hand-lettering books that I’ve been meaning to share for some time now. I have quite a number of books on modern and copperplate calligraphy, but have not invested on as much lettering books as I can.
The good thing about books compared to seeking inspiration online, is that the motivation it gives is nothing fleeting. With numerous posts on lettering and art all over the internet, we tend to get lost in all this information overload that each ‘inspiration’ is trying to compete with another. Having a few select books on the shelf means you pick it up from time to time, read or browse, and get that feeling of enthusiasm every single time.
I already have a few of these by my tiny white desk, but I would like to tick every single book on my list. Hope these books inspire you to learn the art of hand-lettering!
5. In Progress: See Inside a Lettering Artist’s Sketchbook and Process, from Pencil to Vector | Jessica Hische
6. Drawing Type: An Introduction to Illustrating Letterforms | Alex Fowkes
7. Scripts: Elegant Lettering from Design’s Golden Age | Steven Heller & Louise Fili
There you have it! Wish I have the financial capacity to purchase this lot in one go, but looks like I need to set priorities for now. Happy book shopping! Are there any awesome lettering books that I missed? Let me know in the comments below, and this hungry artist will appreciate it heaps.
It’s 2016 (woohoo!) and I’d like my first post of the year to be special. So here’s one special destination wedding I had the pleasure to work on last year – Tom and Simone’s big day in Phuket, Thailand.
It was a travel-themed wedding, so each table number featured the couple’s photos from different places. And not just that — either of them were holding a small chalkboard with a number on it! I thought it was a very cute idea.
I also did the calligraphy and lettering for the signs and stationery used at the venue. There were the menus for dinner, cocktails and cupcakes, photo booth sign, and wedding programme to name a few. My favourite has got to be the escort cards which weren’t cards at all, but little paper airplanes hanging in strings! The colour motif was grey and dusty blue, which were perfect for a classy beach wedding. I’m very happy for this sweet couple, and I’m pretty sure you’ll like the photos as much as I did. Scroll down to see more.
The last Beginners’ workshop of the year is worthy of its own blog post, because it marks the beginning of another year of learning and teaching this lovely craft. If I’m not mistaken, I started with the Happy Hour Workshops in March of 2014 with only 8 participants. At present, due to the demand, we have doubled that number and each class is still always fun and interesting, thanks to the diverse group that I get to teach every time.
Last Saturday’s workshop was packed to the brim. We made good use of the ‘Make Your Own Happy Hour’ pads, and were treated to a lovely spread of pastries and artisan coffee. The Untitled Space studio was bathed in beautiful light at that time of the day, and I couldn’t be any happier! It makes for great photos, too.
One thing I learned about teaching modern calligraphy is that each student has a certain difficulty to overcome, and it is through experience that I am able to address the issue. It feels great when after some drills and practice strokes, I could see the progress that each student makes.
I will be back in January for a couple of Beginners’ classes, and Advanced classes will follow (crosses fingers). If you’re interested, leave your email address to subscribe to the newsletter. I cannot wait for a new round of workshops for the next year!
For artists and creatives looking for a venue for your workshops and exhibitions, I would highly recommend The Untitled Space. The photos speak for themselves, don’t you think?
For me this year, the peak season for wedding calligraphy started on the later part of the 3rd quarter. I was on my first trimester of pregnancy at the time, and I was feeling extra emotional and tired. After tucking my daughter to sleep, I couldn’t get myself to work some more. I thought, how will I get through the wedding season if I was tired all the time? I was worried, but sleep always got the better of me. I hit the sack a couple of hours earlier than usual.
Then I worry again the next day because of the work that has been piling up.
Calligraphy and lettering is something I do because I love doing it. I like writing, and drawing letters, ever since I was a little girl. So why is this whole thing, the thing I’m supposed to love, is stressing me out? Now that I’m well into my second trimester and down to my last calligraphy addressing project for the year, I’m feeling much better and excited for what the coming year has to bring. I was able to accomplish the invitation suites for December weddings (and even one for March!), delivered place cards right on time, and also had a few large-sized calligraphy done for some clients. Let me share with you some of the things that kept me motivated — and sane — during the time when the work load was almost too much to handle.
FOCUS ON YOUR GOALS I was able to do this by listing my goals down on paper. Seeing it on my wall makes it more ‘real’, and I was able to focus on my priorities instead of procrastinating and doing less important things. Focus on your daily or weekly goals and stick to it.
So yes, it’s important to get work done, but you’re headed for burn out if you don’t take a breather once in a while. There was a 250-word poem that I had to rewrite 3 times because of some silly mistakes I’ve made and it was frustrating! There was one evening when everything seemed to go wrong. I knocked my ink over, the envelope drying rack tumbled, and my hand was shaky. Why not take a break? Making watercolour washes on my pad relaxes me, and scribbling with my brush pens calms me down. Trust me, it works. By the time I got back to writing, it was so much better.
CHECK YOUR WORK
I’m lucky to have a husband who designs as well, and was willing to give his creative input into my work. Having another pair of eyes look through your finished work is better because he/she may see things differently than you do. Having someone else proofread is also a good idea. However, some of us would prefer to do things on our own and if this is the case, carefully check your work before sending it out. It saves time because you don’t have to do things over again, and you’ll have happy clients all the way.
ACCEPT YOUR LIMITATIONS
I had to give up some calligraphy workshops during this period. As much as I love to teach this craft, and I get emails asking when my next class would be, I knew I couldn’t handle it. Take a step back and see how your work load is, and learn to say no if you simply cannot handle any more. Your clients will thank you because you’ll be able to churn out better work.
REMEMBER WHY YOU’RE DOING THIS IN THE FIRST PLACE
When work gets too much for you to handle, pause and ask yourself why you’re working so hard for this anyway. I pick up my pen and dip it in ink and get lost in pointed pen bliss because it makes me happy. I’m passionate about this craft, and I want to share the beauty of calligraphy. What makes you do what you do? Think about it, and it’ll put a smile on your lips. Now check your daily goals and focus on them because believe me, it feels pretty good to get some work done.
What a lovely experience this has been! This was kind of a dream project because I get to paint florals and leaves (sage leaves, specifically) and do lettering with my brush as well. Though we eventually dropped the sage leaves while finalising the logo, we retained the 2 kinds of flowers that I painted.
Cotton and Sage is the brainchild of florist E’an here in Singapore. She specifically wanted a certain brush lettering style for the logo type, and gave me creative freedom for the watercolour florals. I liked the lettering style as it was a something that I’ve been trying myself. After a few rounds of revisions, we have arrived at the logo that you can see on the pop-up shop sign below.
It was a breeze working on the Cotton and Sage logo, and I am grateful for opportunities like these. Oh, and did I mention that I got a gorgeous bouquet of thanks from the florist herself? It made my desk pretty despite all the inky mess.
I became an instant fan of the classic 1920’s look because of this art deco themed invite suite I had the privilege of designing. It was a vintage theme, yes, but the beautiful thing is, it doesn’t look ‘old’ at all. It’s just pure class, and I truly enjoyed the whole design process.
The suite is a mix of handwritten elements and digital design, and searching for the perfect art deco font proved to be a challenge. A self-proclaimed font snob, I found myself browsing through fonts that were too mediocre to use. I finally found one or two that would suit the design excellently. Paired with the classic art deco pattern and modern calligraphy, the printed suite came out so much prettier than what I saw on my laptop screen. The colours came out soft and pleasing to the eye — exactly how I wanted it to be.