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Calligraphy by Pauline Ibarra

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Lettering Without Thinking: Part II

July 2, 2015

Last year I wrote something called Lettering Without Thinking. With all the calligraphy commission works I’ve been doing lately, I didn’t have much time to use my brushes and just play with them. With calligraphy, I’m always concerned about legibility and balance, and whether the thickness of my strokes are consistent. I do play around with my pointed pen, but it’s not as carefree as no-nonsense writing with a brush.

Brush Lettering via Happy Hands Project

Let me share with you a couple of pieces I’ve done a week ago, using a round #8 brush and black Ecoline watercolour. The only thing I wanted to do here is to centralise all the words, write them big and small, make a mess, and have fun. And I was able to do all those — I just made sure I had a lot of paper that’s ready to use. I didn’t do these all in one go! I did a few different styles and chose these two as my favourites.

Brush Lettering via Happy Hands Project

Here are a few suggestions on how to experiment. You’ll get different results every time!

  • Try different brushes
  • Use watercolours, and don’t wash your brush when changing colours
  • Tear your papers’ edges for a rustic look
  • Splatter some ink when you’re done, just resist the urge to overdo it!
  • Don’t think — just go crazy!

Have fun lettering, everyone!

Brush Lettering via Happy Hands Project

in bright ideas, lettering

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Hello! I’m Pauline and welcome to the Happy Hands Project! I’m a lettering artist and calligrapher located in Manila, Philippines.
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Ink: Sunflower Fields (Sibol) by @inksbyvinta 
 
What would you have named this color if you didn’t know its name? 🌻🧡 
 
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